 
                        Cindy Mochizuki
                        Artistic Director
                        
                            Cindy Mochizuki creates multimedia installation, audio fiction, performance, 
                            animation, and drawings. Her works explore the manifestation of story and its 
                            relationship to site-specificity, history, archives, and memory work. She has 
                            exhibited, performed and screened her work in Canada, US, Australia, and Japan. 
                            Recent exhibitions include the Vancouver Art Gallery, Burrard Arts Foundation, 
                            Richmond Art Gallery, Frye Art Museum, and Yonago City Museum. She was the 
                            recipient of the Vancouver’s Mayor’s Arts Award in New Media and Fim (2015) 
                            and the Jack and Doris Shadbolt Foundation for the Visual Arts VIVA Award (2020).
                        
                        
                            cindymochizuki.com
                        
                     
                    
                         
                        Wen Wen Lu
                        Digital Animation Compositing & Studio Assistance
                        
                            Wen Wen (Cherry) Lu is a multimedia artist interested in installation, 
                            sculpture, and painting; with dabblings in film, animation, book art, print, 
                            digital, and community engaged projects. She thinks of her practice as a 
                            conceptual dance where each movement requires its own set of research and 
                            material choice. Wen Wen often gravitates towards exploring the hidden, the 
                            small, and the forgotten. Or in the metaphor of dance, she finds the 
                            possibility between one movement to another more intriguing than the 
                            arrival of a finale. 
                        
                        
                            Her work has been shown in spaces such as Lions Park, Richmond Nature Park, 
                            WINDOW Gallery, International Arts Gallery, Centre A, Concourse Art Gallery, 
                            Jericho Beach, New Westminster Museum and Gallery, Access Gallery, and 
                            Burnaby Art Gallery. She is a graduate of Emily Carr University with a 
                            bachelor’s in visual arts. Wen Wen is also a visual arts educator at 
                            Shadbolt Centre for the Arts specializing in ages three to five.
                        
                     
                    
                         
                        Candelario Andrade
                        Editor
                        
                            Is a video editor and media designer for theatre, dance and performance arts. 
                            Recent editorial credits include: Artificial Eden (SFU); Being Here: The 
                            Refugee Project (Belfry Theatre);  Body Parts (Tara Cheyenne Performance); 
                            Bard Beyond the Beach (Bard on the Beach). Recent theatre design credits: 
                            Boy in the Moon (Neworld), and Pathetic Fallacy (The Chop); Anywhere But 
                            Here (Electric Company); House and Home (Firehall).  Cande recently edited 
                            the shorts, The Day The Cat Saved My Life (Dir. Kagan Go) and Jesus Blood 
                            (Dir. Aryo Khakpour); and has also worked for Knowledge Network, VIFF and 
                            Mochizuki Studios. Cande is a faculty teacher at Studio58 and co-artistic 
                            director of Rough House productions.
                        
                     
                    
                         
                        Nancy Tam
                        Sound Design
                        
                            Sound artist, 譚亦斯 (Nancy Tam), is originally from Hong Kong. She and her 
                            family settled in the suburbs of Markham, Ontario on the traditional 
                            territories of the Wendat, the Haudenosaunee, and the Anishinaabe peoples 
                            in the mid 90s. After some time, she moved to the Haldimand Tract—land that 
                            was granted to the Haudenosaunee of the Six Nations of the Grand River for 
                            music school in the Kitchener-Waterloo area. In 2011, she moved the unceded 
                            territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations—Vancouver. 
                            She is very grateful to be part of loving and welcoming communities 
                            throughout her journey in art and in life, and this journey has afforded her 
                            many unique opportunities. She is a founding member of the Vancouver-based 
                            performance collective A Wake of Vultures, the Toronto-based Toy Piano 
                            Composers collective, and has toured with her work throughout North America, 
                            Europe, and Asia. She is an award-winning composer. Nancy’s work centres 
                            around the philosophy that sound is distant touch.
                        
                        
                            She continues to explore ways to elicit embodied and emotional responses 
                            using sound and performance as her primary media. Using multi-channel audio, 
                            and musical composition her current research triangulates between sound, 
                            space, and body to investigate tendencies of global and local mobilizations 
                            of creatures, objects, and events. Her work is form-bending and 
                            dramaturgically rigorous, often bringing the background to the forefront 
                            in creating immersive scenographic environments. Nancy has a penchant for 
                            listening to quiet sounds.
                        
                     
                    
                         
                        Minoru Kofu Yamamoto
                        Carpentry
                        
                            A certified Master of the Shakuhachi (traditional Japanese bamboo flute), 
                            Kofu has performed in numerous performances and recordings in the Lower 
                            Mainland and across Canada. His other skills and interests include 
                            Japanese Calligraphy, woodworking, building and golf. He is one of the 
                            original members of Rakuichi — a group that organizes an annual harvest 
                            festival ceremony, the OMIKOSHI, in Richmond and Vancouver as well as being 
                            a core member of the Shishimai group (Dragon Dance) for which he plays 
                            flute. He speaks both Japanese and English.
                        
                     
                    
                         
                        Sammy Chien
                        New Media Playback System Designer/Projection Advisor
                        
                            Sammy Chien 簡上翔 is a Taiwanese-Canadian immigrant and queer artist-of-colour, 
                            who’s an interdisciplinary artist, director, designer, performer, researcher and 
                            mentor in film, sound art, new media, performance, movement and spiritual practice. 
                            With over 400 collaborative projects, his work has been exhibited across Canada, 
                            Western Europe, and Asia including Centre Pompidou (Paris) and the National Centre 
                            for the Performing Arts (Beijing), worked with pioneers of digital performance: 
                            Troika Ranch and Wong Kar Wai’s Cinematographer Christopher Doyle, and active in 
                            projects engaging various underrepresented communities. Sammy has been featured on 
                            TV and commercial such as Discorder, Keedan, CBC Arts and BenQ. Sammy is currently 
                            leading a dance research project “We Were One” and media arts project “Ritual-Spective 迴融”, 
                            both funded by Canada Council for the Arts and BC Arts Council. Sammy is the official 
                            instructor of Isadora and Artistic Director of Chimerik 似不像 collective.
                        
                     
                    
                         
                        James Proudfoot
                        Lighting Design
                        
                            From Edinburgh, Scotland where he received his initial theatre training, 
                            James has been living in Vancouver since 1993.
                            Self taught in the realm of dance lighting, James has contributed lighting 
                            designs for dance works to many companies including:
                            Ballet BC, Lola Dance, 605 Collective, Co. Erasga, Wen Wei Dance, Joe Ink, EDAM, 
                            The Contingency Plan, battery opera, Kinesis Dance, Restless Productions, Holy Body 
                            Tattoo, Dumb Instrument, Anatomica, Tara Cheyenne Performance, Les Productions 
                            Figlio, Trial & Eros, Out inner spade, BJM, the Plastic Orchid Factory, 
                            Justine A Chambers, Action at a Distance and the Firehall Theatre Company.
                        
                     
                    
                         
                        Lisa Mariko Gelley
                        Choreographer
                        
                            Lisa Mariko Gelley is an artist  and mother, living and working on the traditional, ancestral, 
                            unceded territory of the Coast Salish Peoples, including the territories of the xʷməθkwəy̓əm 
                            (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations. 
                            She received her training in classical, contemporary, and urban dance forms in Canada and 
                            Europe. Lisa is Artistic Co-Director of Company 605, a contemporary dance company in Vancouver, 
                            creating original works through collaborative processes with artists in dance and other 
                            disciplines. Lisa has worked and collaborated with artists including Dana Gingras, Justine A. 
                            Chambers, Cindy Mochizuki, Amber Funk Barton, Vanessa Goodman, Martha Carter, Karen Jamieson, 
                            and was a member of Aeriosa (Julia Taffe) for six years, broadening her practice to include 
                            vertical contemporary dance in rock climbing systems on urban building walls and mountains. 
                            In addition to her work as a performer/choreographer, Lisa values opportunities to connect with 
                            young dancers and emerging professionals through contemporary dance education. Lisa is the 
                            recipient of the 2015 Vancouver International Dance 
                        
                        
                            Photo Credit: David Cooper
                        
                     
                    
                         
                        Leah Weinstein
                        Costume Design
                        
                            Leah Weinstein is a Vancouver-based artist working in sculpture, costume and performance. 
                            Using everyday objects and readymade materials, her interdisciplinary practice explores 
                            relationships between individuals and collectives, subjects and objects, action and display. 
                            Her professional experience includes public art commissions, community art, illustration 
                            and costume design. She completed an MFA at Emily Carr University of Art + Design in 2014, 
                            and her work has been supported by the BC Arts Council; Vancouver Board of Parks and 
                            Recreation; Banff Centre; Touchstones Nelson Museum of Art & History; Charles H Scott Gallery; 
                            and City of Richmond Public Art Commissions.
                        
                     
                    
                         
                        Kage
                        Taiko
                        
                            Kage is primarily a Taiko musician/performer and a digital audio artist. Born in Japan 
                            growing up in Vancouver as settler of Japanese ancestry, they embraced the art of Taiko as a 
                            way to express themselves as a mixed race queer youth. Since the 1980s they co-founded several 
                            taiko/music groups touring parts of Europe and North America.
                        
                        
                            Their on-going projects include exploring the ceremonial roots of Taiko as well as pushing 
                            the boundaries of the form and collaborating with other artists. They live, thrive and work on 
                            the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and səl̓ílwətaʔɬ peoples. 
                        
                     
                    
                         
                        Takeo Yamashiro
                        Shakuhachi
                        
                            Takeo Yamashiro is a shakuhachi master who has lived and practiced his music in Canada since 1972. 
                            Prior to his arrival in Vancouver, Yamashiro trained under and played with two Kyoto Masters, 
                            Shuzan Yamashita and Kofu Kikusui. In 1971, he was appointed with mastership and the designated 
                            name of Rempu (Lotus Wind), the Chief Protégé and Successor to Kofu Kikusui at his Religious 
                            Music Institute, Shakado Shakuhachi Dojo in Seiryo-ji Temple. Yamashiro taught, lectured and 
                            performed live and in film scores for more than five years before emigrating from Japan. He is 
                            considered the first professional musician specializing in Japanese traditional music among the 
                            post-war immigrants to Canada. He has been one of the most influential shakuhachi masters in 
                            North America over the past four decades.
                        
                        
                            Yamashiro has performed as a soloist as well as with other musicians and ensembles in Japan and 
                            Europe as well as across North America. While continuing the discipline of classical Japanese 
                            music, he has also explored intercultural fusion with curiosity and bravery and has led many 
                            jazz and ethnic musicians into successful improvisational collaborations. He is a pioneer in the 
                            field of cross-cultural, jazz, world and creative music. His commitment and devotion to community 
                            work as co-founder of Tonari Gumi and project sponsor of first Annual Powell Street Festival in 
                            Vancouver is also well recognized. 
                        
                        
                            His organic and spiritual approach to music is a way of life that has opened a unique realm where 
                            breathing bamboo, also known as Blowing Zen, resonates in the sound of the universe. He does not 
                            consider himself the creator or composer of music, believing that the sounds existed long before 
                            the arrival of humans. The shakuhachi is a tool for him to tune in and become part of the Oneness 
                            of the Universe. The breath of bamboo leads one into meditation and ultimately to nirvana.
                        
                        
                            Yamashiro’s recorded music is best heard on two solo albums, TAKEO YAMASHIRO – SHAKUHACHI (Aural 
                            Tradition, 1988, ATRC 110) and NYO (Lotus Wind Records, 1998, LW 002). He has performed several 
                            film scores including a portrait of Arthur Erickson, Obachan’s Garden, directed by Linda Ohama 
                            and Reed, directed by Fumiko Kiyooka.
                        
                        
                            Photo Credit: John Endo Greenaway
                        
                     
                    
                         
                        Milena Salazar
                        Cinematographer
                        
                            Milena Salazar is a Costa Rican documentary filmmaker, editor and programmer 
                            based in Vancouver, BC. Her short documentaries Mars Barb (2015), Do I Have 
                            Boobs Now? (2017) and Estelas (2019) have screened in festivals across the globe. 
                            She is a fellow of the 2016 Hot Docs doc Accelerator program and the 2017 
                            RIDM Talent Lab. Her editing credits include Sandra Ignagni's Highway to Heaven 
                            (2019), a National Film Board of Canada production which premiered at the 2019 
                            Toronto International Film Festival, and Cindy Mochizuki's Sue Sada was Here 
                            (2018), an experimental dance film which is in the permanent collection of the 
                            Vancouver Art Gallery. Alongside her independent projects and collaborations, 
                            she has held multiple roles at various arts organizations and film festivals, 
                            including Programming and Industry Manager for the DOXA Documentary Film 
                            Festival and Canadian Documentaries Programmer for the Vancouver International 
                            Film Festival.
                        
                     
                    
                         
                        Cindy Kao
                        Foley
                        
                            Cindy is a Taiwanese-Canadian performance artist, (Ketegalan Nations) based in 
                            Vancouver (Squamish, Musqueam and Tsleil-Waututh Nations). She received a BFA 
                            in Theatre Performance at Simon Fraser University, and is also a classically 
                            trained violinist.
                        
                        
                            Prior to her degree, her works include performing in the International Youth 
                            Symphony Orchestra, Tafelmusik Baroque Institute at the University of Toronto, 
                            Banff International String Quartet Competition Young Musicians Program, as 
                            well as various awards with Performing Arts BC.
                        
                        
                            During her time studying theatre, Cindy was re-acquainted with music, 
                            performing as an actor while sound designing the Blackbox series. Since then, 
                            most of her work with SFU has allowed her to explore her background as a 
                            musician and execute her training as an actor. 
                        
                        
                            Most recently, she is starring in the 2021 short film “A Family Act”, 
                            premiering a piece for violin and electronics by Kimia Koochakzadeh-Yazdi at 
                            Music on Main’s emerging artist features, and performing in a dance film 
                            “Dear Ocean Roaring.”
                        
                     
                    
                         
                        Mishelle Cuttler
                        Musician
                        
                            Mishelle is a Vancouver based composer and sound designer whose work is 
                            centred around the integration of sound, music, and storytelling. She 
                            has an MFA in Musical Theatre Composition from NYU’s Tisch School of the 
                            Arts, and a BFA in Acting from UBC. 
                        
                            
                            Since gathering restrictions began in March of 2020, Mishelle has been 
                            fortunate to find multiple opportunities to make music safely - both 
                            through digital streaming work, and socially distant outdoor performances 
                            when possible. She has learned a great deal about audio storytelling 
                            through this time, and is deeply invested in continuing to find ways to 
                            make sound and music accessible through this challenging time.
                        
                        
                            Some recent projects include Good Things To Do - a digital storytelling 
                            experience through text and sound, The Quarantettes - a live and recorded 
                            project of poetry set to music, and Made in Canada - an EP of vibrant 
                            music written using the verbatim words of Latinx migrant farm workers. 
                            Mishelle is a multiple Jessie Award winner and nominee.
                        
                        
                            In addition to writing music, Mishelle enjoys painting, listening to 
                            podcasts, and riding her bicycle.
                        
                     
                    
                         
                        Molly MacKinnon
                        Musician
                        
                            Molly MacKinnon is an award-winning violinist and collaborative artist 
                            based out of Vancouver BC on the unceded territories of the Coast Salish 
                            peoples. An interdisciplinary creator and performer with a passion for 
                            storytelling through music, Molly has been seen on stages all across the 
                            city. Recent projects include The Quarantettes; a roving singing group 
                            brought into being during the pandemic, Good Things To Do; a digital 
                            creation centred on technological intimacy and gentleness; and Never 
                            the Last; a concert/theatre hybrid exploring the life and work of 20th 
                            century composer Sophie-Carmen Eckhardt-Gramatté. Molly’s extensive 
                            orchestral experience includes the Vancouver Symphony Orchestra, the 
                            Vancouver Island Symphony, the Plastic Acid Orchestra, the Vancouver 
                            Film Orchestra, and the Allegra Chamber Orchestra. She is the co-founder 
                            of Concerts On Tap, a music series that brings together Vancouver craft 
                            breweries and classical music. Molly also performs regularly with the 
                            Black Dog String Quartet.